Made or consisting of wood; pertaining to, or
resembling, wood; as, a wooden box; a wooden leg; a wooden wedding.
[1913 Webster]
Clumsy; awkward; ungainly; stiff; spiritless.
[1913 Webster] When a bold man is out of countenance, he makes a
very wooden figure on it. --Collier. [1913 Webster] His singing
was, I confess, a little wooden. --G. MacDonald. [1913 Webster]
Wooden
spoon. (a) (Cambridge University, Eng.) The last junior optime
who takes a university degree, -- denoting one who is only fit to
stay at home and stir porridge. "We submit that a wooden spoon of
our day would not be justified in calling Galileo and Napier
blockheads because they never heard of the differential calculus."
--Macaulay. (b) In some American colleges, the lowest appointee of
the junior year; sometimes, one especially popular in his class,
without reference to scholarship. Formerly, it was a custom for
classmates to present to this person a wooden spoon with formal
ceremonies. Wooden ware,
a general name for buckets, bowls, and other articles of domestic
use, made of wood. Wooden
wedding. See under Wedding. [1913 Webster]
Word Net
wooden adj1 made or consisting of (entirely or in part) or
employing wood; "a wooden box"; "an ancient cart with wooden
wheels"; "wood houses"; "a wood fire"
2 lacking ease or grace; "the actor's performance
was wooden"; "a wooden smile"
Moby Thesaurus
arid, awkward, barren, blah, blank, bloodless, blunt, blunt-witted, buckram, bumbling, cardboard, characterless, clumsy, cold, colorless, dead, deadpan, dim, dim-witted, dismal, dopey, draggy, drearisome, dreary, dry, dryasdust, dull, dull of mind, dull-headed, dull-pated, dull-witted, dusty, effete, elephantine, empty, etiolated, expressionless, fade, fat-witted, fishy, flat, gauche, glassy, gross-headed, halting, ham-handed, heavy, heavy-handed, hebetudinous, ho-hum, hollow, impassive, inane, inept, inexcitable, inexpressive, insipid, jejune, leaden, lifeless, low-spirited, maladroit, muscle-bound, obtuse, pale, pallid, pedestrian, plodding, pointless, poker-faced, poky, ponderous, slow, slow-witted, sluggish, solemn, spiritless, sterile, stiff, stilted, stodgy, stuffy, superficial, tasteless, tedious, thick-brained, thick-headed, thick-pated, thick-witted, thickskulled, unexpressive, unhandy, unhappy, unlively, vacant, vapid, weightyEnglish
Pronunciation
-
- Rhymes: -ʊdən
Adjective
- Made of wood: "a wooden boat".
- As if made of wood (figuratively):
- Moving awkwardly
- Unmoving
Translations
figuratively
- Dutch: houterig
- Finnish: puiseva
- German: hölzern
Wood is hard, fibrous, lignified
structural tissue produced as secondary xylem in the stems of woody plants,
notably trees but also
shrubs. It conducts water
to the leaves and other growing tissues and acts as a support
function, enabling plants to reach large sizes. Wood may also refer
to other plant materials and tissues with comparable
properties.
Wood is a heterogeneous, hygroscopic, cellular
and anisotropic
material. It is composed of fibers of cellulose (40% – 50%) and
hemicellulose (15%
– 25%) impregnated with lignin (15% – 30%).
Wood has been used for millennia for many
purposes. One of its primary uses is as fuel. It is also used as for making
artworks, furniture,
tools and weapons, and as a construction
material.
Wood has been an important construction material
since humans began building shelters, houses and boats. Nearly all boats were made
out of wood till the late 1800s, and wood
remains in common use today in boat construction. New domestic
housing in many parts of the world today is commonly made from
timber-framed construction. In buildings made of other materials,
wood will still be found as a supporting material, especially in
roof construction, in
interior doors and their frames, and as exterior cladding. Wood to
be used for construction work is commonly known as lumber in North
America. Elsewhere, lumber usually refers to felled trees, and
the word for sawn planks ready for use is timber.
Wood unsuitable for construction in its native
form may be broken down mechanically (into fibres or chips) or
chemically (into cellulose) and used as a raw material for other
building materials such as chipboard,
engineered
wood, hardboard,
medium-density
fiberboard (MDF), oriented
strand board (OSB). Such wood derivatives are widely used: wood
fibers are an important component of most paper, and cellulose is used as a
component of some synthetic
materials. Wood derivatives can also be used for kinds of flooring,
for example laminate
flooring.
Wood is also used for cutlery, such as chopsticks, toothpicks, and other
utensils, like the wooden
spoon.
Formation
A tree increases in diameter by the formation, between the old wood and the inner bark, of new woody layers which envelop the entire stem, living branches, and roots. Where there are clear seasons, this can happen in a discrete pattern, leading to what is known as growth rings, as can be seen on the end of a log. If these seasons are annual these growth rings are annual rings. Where there is no seasonal difference growth rings are likely to be indistinct or absent.Within a growth ring it may be possible to see
two parts. The part nearest the center of the tree is more open
textured and almost
invariably lighter in colour than that near the outer portion of
the ring. The inner portion is formed early in the season, when
growth is comparatively rapid; it is known as early wood or spring
wood. The outer portion is the late wood or summer wood, being
produced in the summer. In white
pines there is not much contrast in the different parts of the
ring, and as a result the wood is very uniform in texture and is
easy to work. In hard
pines, on the other hand, the late wood is very dense and is
deep-colored, presenting a very decided contrast to the soft,
straw-colored early wood. In ring-porous woods each season's growth
is always well defined, because the large pores of the spring abut
on the denser tissue of the fall before. In the diffuse-porous
woods, the demarcation between rings is not always so clear and in
some cases is almost (if not entirely) invisible to the unaided
eye.
Knots
A knot is a particular type of imperfection in a piece of timber, which reduces its strength, but which may be exploited for artistic effect. In a longitudinally-sawn plank, a knot will appear as a roughly circular "solid" (usually darker) piece of wood around which the roughly parallel fibres (grain) of the rest of the "flows" (parts and rejoins).A knot is actually a portion of a side branch (or a dormant bud)
included in the wood of the stem or larger branch. The included
portion is irregularly conical in shape (hence the roughly circular
cross-section) with the tip at the point in stem diameter at which
the plant's cambium was
located when the branch formed as a bud. Within a knot, the fibre
direction (grain) is up to 90 degrees different from the fibres of
the stem, thus producing local cross grain.
During the development of a tree, the lower limbs
often die, but may persist for a time, sometimes years. Subsequent
layers of growth of the attaching stem are no longer intimately
joined with the dead limb, but are grown around it. Hence, dead
branches produce knots which are not attached, and likely to drop
out after the tree has been sawn into boards.
In grading lumber and structural timber, knots
are classified according to their form, size, soundness, and the
firmness with which they are held in place. This firmness is
affected by, among other factors, the length of time for which the
branch was dead while the attaching stem continued to grow.
Knots materially affect cracking (known in the
industry as checking) and warping, ease in working, and
cleavability of timber. They are defects which weaken timber and
lower its value for structural purposes where strength is an
important consideration. The weakening effect is much more serious
when timber is subjected to forces perpendicular to the grain
and/or tension
than where under load along the grain and/or compression.
The extent to which knots affect the strength of a beam
depends upon their position, size, number, direction of fiber, and condition. A knot on
the upper side is compressed, while one on the lower side is
subjected to tension. If there is a season check in the knot, as is
often the case, it will offer little resistance to this tensile
stress. Small knots, however, may be located along the neutral
plane of a beam and increase the strength by preventing
longitudinal shearing.
Knots in a board or plank are least injurious when they extend
through it at right angles to its broadest surface. Knots which
occur near the ends of a beam do not weaken it. Sound knots which
occur in the central portion one-fourth the height of the beam from
either edge are not serious defects.
Knots do not necessarily influence the stiffness
of structural timber. Only defects of the most serious character
affect the elastic limit of beams. Stiffness and elastic strength
are more dependent upon the quality of the wood fiber than upon
defects in the beam. The effect of knots is to reduce the
difference between the fiber stress at elastic limit and the
modulus
of rupture of beams. The breaking strength is very susceptible to
defects. Sound knots do not weaken wood when subject to compression
parallel to the grain.
For purposes for which appearance is more
important than strength, such as wall panelling, knots are
considered a benefit, as they add visual texture to the wood,
giving it a more interesting appearance.
The traditional style of playing the Basque
xylophon txalaparta
involves hitting the right knots to obtain different tones.
Heartwood and sapwood
Heartwood is wood that has died and become resistant to decay as a result of genetically programmed processes. It appears in a cross-section as a discolored circle, following annual rings in shape. Heartwood is usually much darker than living wood, and forms with age. Many woody plants do not form heartwood, but other processes, such as decay, can discolor wood in similar ways, leading to confusion. Some uncertainty still exists as to whether heartwood is truly dead, as it can still chemically react to decay organisms, but only once (Shigo 1986, 54).Sapwood is living wood in the growing tree. All
wood in a tree is first formed as sapwood. Its principal functions
are to conduct water from the roots to the leaves and to store up and give
back according to the season the food prepared in the leaves. The
more leaves a tree bears and the more vigorous its growth, the
larger the volume of sapwood required. Hence trees making rapid
growth in the open have thicker sapwood for their size than trees
of the same species growing in dense forests. Sometimes trees grown
in the open may become of considerable size, 30 cm or more in
diameter, before any heartwood begins to form, for example, in
second-growth hickory,
or open-grown pines.
The term heartwood derives solely from its
position and not from any vital importance to the tree. This is
evidenced by the fact that a tree can thrive with its heart
completely decayed. Some species begin to form heartwood very early
in life, so having only a thin layer of live sapwood, while in
others the change comes slowly. Thin sapwood is characteristic of
such trees as chestnut,
black
locust, mulberry,
osage-orange,
and sassafras, while
in maple, ash, hickory,
hackberry,
beech, and pine, thick
sapwood is the rule.
There is no definite relation between the annual
rings of growth and the amount of sapwood. Within the same species
the cross-sectional area of the sapwood is very roughly
proportional to the size of the crown of the tree. If the rings are
narrow, more of them are required than where they are wide. As the
tree gets larger, the sapwood must necessarily become thinner or
increase materially in volume. Sapwood is thicker in the upper
portion of the trunk of a tree than near the base, because the age
and the diameter of the upper sections are less.
When a tree is very young it is covered with
limbs almost, if not entirely, to the ground, but as it grows older
some or all of them will eventually die and are either broken off
or fall off. Subsequent growth of wood may completely conceal the
stubs which will however remain as knots. No matter how smooth and
clear a log is on the outside, it is more or less knotty near the
middle. Consequently the sapwood of an old tree, and particularly
of a forest-grown tree, will be freer from knots than the
heartwood. Since in most uses of wood, knots are defects that
weaken the timber and interfere with its ease of working and other
properties, it follows that sapwood, because of its position in the
tree, may have certain advantages over heartwood.
It is remarkable that the inner heartwood of old
trees remains as sound as it usually does, since in many cases it
is hundreds of years, and in a few instances thousands of years,
old. Every broken limb or root, or deep wound from fire, insects,
or falling timber, may afford an entrance for decay, which, once
started, may penetrate to all parts of the trunk. The larvae of
many insects bore into the trees and their tunnels remain
indefinitely as sources of weakness. Whatever advantages, however,
that sapwood may have in this connection are due solely to its
relative age and position.
If a tree grows all its life in the open and the
conditions of soil and site
remain unchanged, it will make its most rapid growth in youth, and
gradually decline. The annual rings of growth are for many years
quite wide, but later they become narrower and narrower. Since each
succeeding ring is laid down on the outside of the wood previously
formed, it follows that unless a tree materially increases its
production of wood from year to year, the rings must necessarily
become thinner as the trunk gets wider. As a tree reaches maturity
its crown becomes more open and the annual wood production is
lessened, thereby reducing still more the width of the growth
rings. In the case of forest-grown trees so much depends upon the
competition of the trees in their struggle for light and
nourishment that periods of rapid and slow growth may alternate.
Some trees, such as southern oaks, maintain the same width of
ring for hundreds of years. Upon the whole, however, as a tree gets
larger in diameter the width of the growth rings decreases.
There may be decided differences in the grain of
heartwood and sapwood cut from a large tree, particularly one that
is mature. In some trees, the wood laid on late in the life of a
tree is softer, lighter, weaker, and more even-textured than that
produced earlier, but in other species, the reverse applies. In a
large log the sapwood, because of the time in the life of the tree
when it was grown, may be inferior in hardness, strength,
and toughness to equally sound heartwood from the same log.
Different woods
There is a strong relationship between the
properties of wood and the properties of the particular tree that
yielded it. For every tree species there is a range of density for
the wood it yields. There is a rough correlation between density of
a wood and its strength (mechanical properties). For example, while
mahogany is a
medium-dense hardwood which is excellent for fine furniture
crafting, balsa is light,
making it useful for model
building. The densest wood may be black
ironwood.
Wood is commonly classified as either softwood or hardwood. The wood
from conifers (e.g.
pine) is called softwood, and the wood from broad-leaved
trees (e.g. oak) is called hardwood. These names are a bit
misleading, as hardwoods are not necessarily hard, and softwoods
are not necessarily soft. The well-known balsa (a hardwood) is
actually softer than any commercial softwood. Conversely, some
softwoods (e.g. yew) are
harder than most hardwoods.
Wood products such as plywood are typically classified
as engineered wood and not considered raw wood.
Colour
In species which show a distinct difference between heartwood and sapwood the natural colour of heartwood is usually darker than that of the sapwood, and very frequently the contrast is conspicuous. This is produced by deposits in the heartwood of various materials resulting from the process of growth, increased possibly by oxidation and other chemical changes, which usually have little or no appreciable effect on the mechanical properties of the wood. Some experiments on very resinous Longleaf Pine specimens, however, indicate an increase in strength. This is due to the resin which increases the strength when dry. Such resin-saturated heartwood is called "fat lighter". Structures built of fat lighter are almost impervious to rot and termites; however they are very flammable. Stumps of old longleaf pines are often dug, split into small pieces and sold as kindling for fires. Stumps thus dug may actually remain a century or more since being cut. Spruce impregnated with crude resin and dried is also greatly increased in strength thereby.Since the late wood of a growth ring is usually
darker in colour than the early wood, this fact may be used in
judging the density, and therefore the hardness and strength of the
material. This is particularly the case with coniferous woods. In
ring-porous woods the vessels of the early wood not infrequently
appear on a finished surface as darker than the denser late wood,
though on cross sections of heartwood the reverse is commonly true.
Except in the manner just stated the colour of wood is no
indication of strength.
Abnormal discolouration of wood often denotes a
diseased condition, indicating unsoundness. The black check in
western hemlock is the result
of insect attacks. The reddish-brown streaks so common in hickory
and certain other woods are mostly the result of injury by birds.
The discolouration is merely an indication of an injury, and in all
probability does not of itself affect the properties of the wood.
Certain rot-producing
fungi impart to wood characteristic colours which thus become
symptomatic of weakness; however an attractive effect known as
spalting produced by
this process is often considered a desirable characteristic.
Ordinary sap-staining is due to fungous growth, but does not
necessarily produce a weakening effect.
Structure
In coniferous or softwood species the wood cells are mostly of one kind, tracheids, and as a result the material is much more uniform in structure than that of most hardwoods. There are no vessels ("pores") in coniferous wood such as one sees so prominently in oak and ash, for example.The structure of the hardwoods is more complex.
They are more or less filled with vessels: in some cases (oak,
chestnut, ash) quite large and distinct, in others (buckeye, poplar, willow) too small to be seen
plainly without a small hand lens. In discussing such woods it is
customary to divide them into two large classes, ring-porous and
diffuse-porous. In ring-porous species, such as ash, black locust,
catalpa, chestnut,
elm, hickory, mulberry, and
oak, the larger vessels or pores (as cross sections of vessels are
called) are localized in the part of the growth ring formed in
spring, thus forming a region of more or less open and porous
tissue. The rest of the ring, produced in summer, is made up of
smaller vessels and a much greater proportion of wood fibres. These
fibres are the elements which give strength and toughness to wood,
while the vessels are a source of weakness.
In diffuse-porous woods the pores are scattered
throughout the growth ring instead of being collected in a band or
row. Examples of this kind of wood are basswood, birch, buckeye, maple, poplar, and
willow. Some species, such as walnut and cherry, are on the border between
the two classes, forming an intermediate group.
If a heavy piece of pine is compared with a light
specimen it will be seen at once that the heavier one contains a
larger proportion of late wood than the other, and is therefore
considerably darker. The late wood of all species is denser than
that formed early in the season, hence the greater the proportion
of late wood the greater the density and strength. When examined
under a microscope the cells of the late wood are seen to be very
thick-walled and with very small cavities, while those formed first
in the season have thin walls and large cavities. The strength is
in the walls, not the cavities. In choosing a piece of pine where
strength or stiffness is the important consideration, the principal
thing to observe is the comparative amounts of early and late wood.
The width of ring is not nearly so important as the proportion of
the late wood in the ring.
It is not only the proportion of late wood, but
also its quality, that counts. In specimens that show a very large
proportion of late wood it may be noticeably more porous and weigh
considerably less than the late wood in pieces that contain but
little. One can judge comparative density, and therefore to some
extent weight and strength, by visual inspection.
No satisfactory explanation can as yet be given
for the real causes underlying the formation of early and late
wood. Several factors may be involved. In conifers, at least, rate
of growth alone does not determine the proportion of the two
portions of the ring, for in some cases the wood of slow growth is
very hard and heavy, while in others the opposite is true. The
quality of the site where the tree grows undoubtedly affects the
character of the wood formed, though it is not possible to
formulate a rule governing it. In general, however, it may be said
that where strength or ease of working is essential, woods of
moderate to slow growth should be chosen. But in choosing a
particular specimen it is not the width of ring, but the proportion
and character of the late wood which should govern.
In the case of the ring-porous hardwoods there
seems to exist a pretty definite relation between the rate of
growth of timber and its properties. This may be briefly summed up
in the general statement that the more rapid the growth or the
wider the rings of growth, the heavier, harder, stronger, and
stiffer the wood. This, it must be remembered, applies only to
ring-porous woods such as oak, ash, hickory, and others of the same
group, and is, of course, subject to some exceptions and
limitations.
In ring-porous woods of good growth it is usually
the middle portion of the ring in which the thick-walled,
strength-giving fibers are most abundant. As the breadth of ring
diminishes, this middle portion is reduced so that very slow growth
produces comparatively light, porous wood composed of thin-walled
vessels and wood parenchyma. In good oak these large vessels of the
early wood occupy from 6 to 10 per cent of the volume of the log,
while in inferior material they may make up 25 per cent or more.
The late wood of good oak, except for radial grayish patches of small
pores, is dark colored and firm, and consists of thick-walled
fibers which form one-half or more of the wood. In inferior oak,
such fiber areas are much reduced both in quantity and quality.
Such variation is very largely the result of rate of growth.
Wide-ringed wood is often called "second-growth",
because the growth of the young timber in open stands after the old
trees have been removed is more rapid than in trees in the forest, and in the manufacture of
articles where strength is an important consideration such
"second-growth" hardwood material is preferred. This is
particularly the case in the choice of hickory for handles and
spokes. Here not only
strength, but toughness and resilience are important. The results
of a series of tests on hickory by the U.S. Forest Service show
that:
- "The work or shock-resisting ability is greatest in wide-ringed wood that has from 5 to 14 rings per inch (rings 1.8-5 mm thick), is fairly constant from 14 to 38 rings per inch (rings 0.7-1.8 mm thick), and decreases rapidly from 38 to 47 rings per inch (rings 0.5-0.7 mm thick). The strength at maximum load is not so great with the most rapid-growing wood; it is maximum with from 14 to 20 rings per inch (rings 1.3-1.8 mm thick), and again becomes less as the wood becomes more closely ringed. The natural deduction is that wood of first-class mechanical value shows from 5 to 20 rings per inch (rings 1.3-5 mm thick) and that slower growth yields poorer stock. Thus the inspector or buyer of hickory should discriminate against timber that has more than 20 rings per inch (rings less than 1.3 mm thick). Exceptions exist, however, in the case of normal growth upon dry situations, in which the slow-growing material may be strong and tough."
The effect of rate of growth on the qualities of
chestnut wood is summarized by the same authority as follows:
- "When the rings are wide, the transition from spring wood to summer wood is gradual, while in the narrow rings the spring wood passes into summer wood abruptly. The width of the spring wood changes but little with the width of the annual ring, so that the narrowing or broadening of the annual ring is always at the expense of the summer wood. The narrow vessels of the summer wood make it richer in wood substance than the spring wood composed of wide vessels. Therefore, rapid-growing specimens with wide rings have more wood substance than slow-growing trees with narrow rings. Since the more the wood substance the greater the weight, and the greater the weight the stronger the wood, chestnuts with wide rings must have stronger wood than chestnuts with narrow rings. This agrees with the accepted view that sprouts (which always have wide rings) yield better and stronger wood than seedling chestnuts, which grow more slowly in diameter."
See also
References
- Hoadley, R. Bruce. (2000) Understanding Wood: A Craftsman’s Guide to Wood Technology. Taunton Press. ISBN 1-56158-358-8
- Shigo, Alex. (1986) A New Tree Biology Dictionary. Shigo and Trees, Associates. ISBN 0-943563-12-7
wooden in Arabic: خشب
wooden in Bavarian: Hoiz
wooden in Bulgarian: Дървесина
wooden in Catalan: Fusta
wooden in Czech: Dřevo
wooden in Danish: Træ (materiale)
wooden in German: Holz
wooden in Estonian: Puit
wooden in Modern Greek (1453-): Ξύλο
wooden in Spanish: Madera
wooden in Esperanto: Ligno
wooden in Basque: Zur
wooden in Persian: چوب
wooden in French: Bois
wooden in Scottish Gaelic: Fiodh
wooden in Galician: Madeira
wooden in Croatian: Drvo (materijal)
wooden in Indonesian: Kayu
wooden in Icelandic: Viður
wooden in Italian: Legno
wooden in Hebrew: עץ (חומר גלם)
wooden in Swahili (macrolanguage): Ubao
wooden in Latin: Lignum
wooden in Lithuanian: Mediena
wooden in Hungarian: Fa (anyag)
wooden in Malay (macrolanguage): Kayu
wooden in Dutch: Hout
wooden in Japanese: 木材
wooden in Norwegian: Treverk
wooden in Polish: Drewno (technika)
wooden in Portuguese: Madeira
wooden in Romanian: Lemn
wooden in Quechua: Qiru
wooden in Russian: Древесина
wooden in Sicilian: Lignu (materia)
wooden in Simple English: Wood
wooden in Slovak: Drevo
wooden in Slovenian: Les
wooden in Sundanese: Kai
wooden in Finnish: Puuaines
wooden in Swedish: Trä
wooden in Tagalog: Kahoy
wooden in Thai: ไม้
wooden in Vietnamese: Gỗ
wooden in Tajik: Чӯб
wooden in Cherokee: ᎠᏓ
wooden in Turkish: Tahta
wooden in Ukrainian: Деревина
wooden in Venetian: Legno
wooden in Yiddish: האלץ
wooden in Samogitian: Medėina
wooden in Chinese: 木材